Place of the workshop: KoÅ¡ice, Faculty of Art, Technical University and Open department of PreÅ¡ov prison
Westerdals School of Arts, Technology and Communication
Morten Thomte, film teacher : Joachim Norman Fleischer, Sabrina Khan NostrÃ¸m, Bendik Gunnarson Mondal)
Pavel Smejkal, lecturer, archivist,
Peter ZÃ¡kuÅ¥anskÃ½, artist,
Lena JakubÄÃ¡kovÃ¡, teacher
Audiences and territories involved:
Audiences: 9 Slovak art students, 3 Norwegian Â film students, one historian, and 9 inmates
Territories: Faculty of Art, Technical University in KoÅ¡ice, Slovakia; Institute of Creative Photography, Silesian Univesity in Opava, Czech republic; and Westerdal Oslo ACT, Norway; Remand prison PreÅ¡ov ÃšVV a ÃšVTOS, open department, PreÅ¡ov, Slovakia.
Methodology proposed : Personal reflections on historical archive
Archives used: Slovak amateur photo and film family archives from the collection of PhotoART Centrum
Summary of the methodology proposed:
We encourage students to include their own skills, experiences and personalities into the collaborative work to avoid this being â€˜a school exerciseâ€™. We wanted them to talk together about their ideas, memories, feelings, but also about their technical skills and artistic visions before starting to work. We wanted them to make personal reflections on â€˜images from the historyâ€™. We also said they could include material of their own (Â´home videosâ€™ from their own childhood/upbringing). One Slovak student did this and worked on her own rich photographic archive story.
What was really special for this workshop, was the combination of people from different fields of art (or even outside of art, like one historian) and from more universities (Norwegian, Slovak and Czech) with different approach to studies to get more creative inputs to the final work.
Results of the workshop : We found that it was possible, within the week, to come up with interesting ideas, to prepare the stories, collect new material, and finish the work. The students responded well to the challenge, although they didnâ€™t have time enough to really finish their works. But working with archives helped them to deeper understand the history and the language of images and other media. There were three results from the workshop, accordingly to every from three groups involved. One group challenged the images by questioning the way we believe them in the new combination of words (they visited more older people, relatives of students or in hospital and asked them questions about their life during the socialism) and archive pictures from different families. Surprisingly good result they showed at the end of the workshop.
We encouraged the students to combine different techniques, approaches, media in one resulting piece, and they did: the result was finally the combination of interviews, voice recordings, drawing, and collage in the form of comics, storytelling, installations, videos and various artefacts from the history etc.